additive rhythm造句

• Tresillo is often interpreted as an additive rhythm because of the irregular grouping of its strokes : 3 + 3 + 2.
• In Middle East and Asian music the figure is generated through additive rhythm ( bottom ), 3 + 3 + 2:
• Cumulation is associated with closure or relaxation, countercumulation with openness or tension, while additive rhythms are open-ended and repetitive.
• The African elements included the use of the banjo, believed to derive from West African string instruments, and accented and additive rhythms.
• Risher's works transcend the superficiality of much popular music, however, in their frequent use of complex canonic and polyphonic structures and additive rhythms.
• Measured rhythm is where each time value is a multiple or fraction of a specified time unit but there are not regularly recurring accents ( additive rhythm ).
• Measured rhythm ( additive rhythm ) also calculates each time value as a multiple or fraction of a specified time unit but the accents do not recur regularly within the cycle.
• These rhythms are notated as " additive rhythms " based on simple units, usually 2, 3 and 4 beats, though the notation fails to describe the Variants below.
• The term " additive rhythm " is also often used to refer to what are also incorrectly called " asymmetric rhythms " and even " irregular rhythms "  that is, minimalists, most noticeably the " one-two-one-two-three " chorus parts in " Einstein on the Beach ".
• The bell pattern, and every aspect of the overall rhythm, is considered cycle, performers do not think of time-lline patterns as'additive rhythms,'. . .'Additive rhythms'are the analytic construction of the musicologist . " Agawu states : " Additive rhythm . . . is a highly problematic concept for African music . . . it is not in sync with indigenous conceptions of musical structure.
• The bell pattern, and every aspect of the overall rhythm, is considered cycle, performers do not think of time-lline patterns as'additive rhythms,'. . .'Additive rhythms'are the analytic construction of the musicologist . " Agawu states : " Additive rhythm . . . is a highly problematic concept for African music . . . it is not in sync with indigenous conceptions of musical structure.
• The bell pattern, and every aspect of the overall rhythm, is considered cycle, performers do not think of time-lline patterns as'additive rhythms,'. . .'Additive rhythms'are the analytic construction of the musicologist . " Agawu states : " Additive rhythm . . . is a highly problematic concept for African music . . . it is not in sync with indigenous conceptions of musical structure.
• A "'divisive "'( or, alternately, "'multiplicative "') "'rhythm "'is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units; this can be contrasted with "'additive rhythm "', in which larger periods of time are constructed by concatenating ( joining end to end ) a series of units into larger units of unequal length, such as a meter produced by the regular alternation of and.